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DIY Eurorack Amplifier for Complete Beginners

For a long time, I thought electronics wasn’t for me: it was this arcane mixture of black magick and hardcore mathematics, in which everything has to be designed and assembled perfectly or nothing will work. Well, it turns out that’s not entirely true. …
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DIY Euro-amp Part 2 - Eurorack: Artisanal Jank

This article is part of my series on building a Eurorack audio amplifier, to go from line-out on a field recorder or Raspberry Pi to my modular synth rack. To start from the beginning, click here. This is part of my Memento Potato project, in which I am ostensibly producing my third album and releasing each track as & when it’s done, but also using it as a vehicle for tons of other things I’ve wanted to build/film/explain/code/nerd out about along the way. …
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DIY Euro-amp Part 3 - The Hydraulic Analogy

This article is part of my series on building a Eurorack audio amplifier, to go from line-out on a field recorder or Raspberry Pi to my modular synth rack. To start from the beginning, click here. This is part of my Memento Potato project, in which I am ostensibly producing my third album and releasing each track as & when it’s done, but also using it as a vehicle for tons of other things I’ve wanted to build/film/explain/code/nerd out about along the way. …
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DIY Euro-amp Part 4 - Op-amps for Noobs

This article is part of my series on building a Eurorack audio amplifier, to go from line-out on a field recorder or Raspberry Pi to my modular synth rack. To start from the beginning, click here. This is part of my Memento Potato project, in which I am ostensibly producing my third album and releasing each track as & when it’s done, but also using it as a vehicle for tons of other things I’ve wanted to build/film/explain/code/nerd out about along the way. …
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DIY Euro-amp Part 5 - The Final Circuit

This article is part of my series on building a Eurorack audio amplifier, to go from line-out on a field recorder or Raspberry Pi to my modular synth rack. To start from the beginning, click here. This is part of my Memento Potato project, in which I am ostensibly producing my third album and releasing each track as & when it’s done, but also using it as a vehicle for tons of other things I’ve wanted to build/film/explain/code/nerd out about along the way. …
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Announcing Memento Potato

Things got a bit… intense in my last two releases. Ataraxy contained an awful lot of “serious” tracks, covering everything from dismay at COVID disinformation and the role of consumerism in art, to depression, social anxiety, and parental regret. Pro Amore Signi is ostensibly inspired by my first forays into real analogue synthesis, and the ensuing sense of awe at beginning to discover the simultaneous power & simplicity of the relationship between components, control signals, and sound waves; but it was also conceived in the aftermath of a death in the family, and is not-so-secretly about that experience, as well. …

Repurposing the Mellotron as an expressive virtual acoustic instrument

Ah, the glorious, wonderful Mellotron. Where would I be without it? I’ve made no secret of my love for this quirky lo-fi beauty, even if I am unlikely to ever play or own a real one. The flute & strings on To Hell and Back, choir on Manchild, various pads and “filler” layers on multiple tracks, and almost the entirety of Good Taste were made possible by a software recreation of it. …
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